Taylor 110e Review

Taylor 110e Review | Dreadnought Acoustic – Electric Guitar

So you have most likely known about Taylor Guitars some time recently. With a firm notoriety of delivering top notch, costly guitars, it’s no big surprise that Taylor took a PR beating when they initially presented the Taylor 100 series “budget” acoustic guitars to the business sector. I am going to write Taylor 110e Review here.

Taylor 110 e Acoustic Guitar

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Taylor 110e Review:

Despite the fact that Taylor guitars date back to October 15, 1974, it has just been the most recent couple of years with predominant overlay innovation that Taylor could bear to offer their first class craftsmanship.

With a higher sticker price than the greater part of its rivals, as most Taylor guitars, the 110e is pointed toward the genuine guitarist, or even only the committed beginner.

Skill Level – Playability:

As I would like to think if you want to buy a brilliant guitar for the beginner with a few genuine objectives or intermediate player are need to consider. I hope to show signs of improvement long haul sound, delight, and speculation than a less costly guitar. The notwithstanding for the expert who is searching for a moment, top-quality guitar on a financial plan and would not like to yield playability, tone quality, and sound projection.

You truly won’t “exceed” this model, that is the way well these Taylors are constructed. This one likewise extends quality parity tone for studio recording when missed with a quality condenser mouthpiece. This model is perfect for the stage and recording too.

As one would anticipate from a Bob Taylor quality created guitar, it gloats extraordinary activity (playability – as all Taylors do) with full stable for level picking-strumming and finger-picking – it is really exceptionally flexible and serves all playing styles well


  • Type/Shape: 6-String Dreadnought
  • Back & Sides: Sapele Laminated, similar and brighter than Mahogany
  • Top: Solid Sitka Spruce, standard for great projection and velocity of sound
  • Soundhole Rosette: Plastic
  • Neck: Sapele (cousin to Mahogany)
  • Fretboard: Ebony, extraordinary for durability and playability
  • Fretboard Inlay: Pearloid Dots
  • Headstock Overlay: Indian Rosewood
  • Tying: Black, edge insurance, and development solidness
  • Span: Ebony (wood)
  • Nut and Saddle: Tusq engineered composite that adversaries bone or ivory in vibration exchange
  • Tuning Machines: Enclosed, Die-Cast Chrome Plated
  • Scale Length: 25 1/2 In.
  • Truss Rod: Adjustable for custom playability n string tallness
  • Neck Width at Nut: 1 11/16 In.
  • Number of Frets: 20 (Standard)
  • Fretboard Radius: 15 In. (extraordinary for smooth fingering and chording)
  • Supporting: X-Brace (for incredible vibration exchange and projection intensification)
  • Complete: Varnish – shine
  • Shading: Natural
  • Body Width (largest session): 16 In. & (top to back): 4 5/8 In.
  • Main Body (sound hole) Length: 20 In.Total Length: 41 In.

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Player styles:

My experience is, you won’t get bolted into a specific playing style with this hatchet.

This guitar is exceptionally flexible – serving numerous style players including contemporary, cadence guitar playing, and, in addition, bluegrass n level picking and strumming this guitar body size, style and development can fit well with pretty much any gig or style.

On the off chance that you choose to pay a minor or more to get the “e” form with Taylor’s Expression System Transducer you can connect it to, open up it and get a considerably more various sound reaction relying upon the enhancement system and impacts effects you utilize.

In light of Taylor’s propping framework and quality gauges, this thing reacts wonderfully whether you are playing a delicate song or truly delving in on some cruel keeps running (while never listening to any bending or eq parity misfortune at any volume level).

It additionally serves great for finger style picking (Chet Atkins style), jazz, folk, country, pop, and rock, however, does not offer quite the”chime-like” tones for an assigned finger-picking style player who may locate somewhat more reaction with a big Auditorium, Orchestra or Jumbo Model which has a tinier waist for more refinement amidst of treble and bass notes.


On the off chance that Taylor could be summed up with a single word, that word would be “wood.” Taylor is known for their utilization of colorful woods, and additionally wonderfully cut unprecedented, and now and then even normal woods. These woods are what give a Taylor guitar its identity, and they function admirably together as far as steadfastness and robustness.

Taylor guitars are manufactured magnificently, and the 110e has the same amount of accuracy and care put into its building as Taylor’s more costly models, which is extremely satisfying, considering most higher end organizations have a huge crevice in quality confirmation between cost ranges.


The top and neck of the Taylor 110e have Taylor’s typical varnish on it, which feels pleasant and smooth in your grasp without feeling too thick or sticky, as a few completions tend to feel. The varnish additionally deals with sweat extremely well–you will see, while playing the Taylor 110e, that sweat does not bring about slippage.

Then again, the back and sides are covers, keeping in mind they are amazing overlay, it is pleasant to see an alternate cut, and complete, on these parts of the guitar, as better cut, lesser woods would have preferable tonal properties over any cover

Action & Feel:

As anyone might expect, the Taylor 110e plays simply like you would anticipate that a Taylor will play. It feels strong and has an agreeable shape to it, notwithstanding the full dreadnaught body.

The wood is milder than regular overlay, and even the cover is gentler than most covers, which keeps up the sentiment a completely common guitar. Which implies you won’t need to stress over understanding that “delivered utilizing a work territory” guitar feel.

Out of the case, the activity on the 110e was superior to anything whatever another guitar in its value range–nice, low strings, yet not all that low that they hummed on the frets or had any dead note

Final Verdict

The rich sound of an all-strong wood guitar can’t be measured or investigated with words. The common multiplication of a full ES pickup framework going through a sound framework will make anyone stop and tune in. It’s what makes a Taylor a Taylor.

On the off chance that you buy the 100 Series. You’ll upbeat, yet you’ll generally be taking a gander at different Taylors with an indication of jealousy. Hope this Taylor 110e Review will help you buy this guitar.Hope this Taylor 110e Review will help you buy this guitar. Hope this Taylor 110e Review will help you buy this guitar.

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About the Author Michael J. Bass

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